2018 June / July

2018 June / July

The Blues and Art Issue

In This Issue:

  • Ghostly Beauty

    Ghostly BeautyThe sea wasn't put there by nature, but by accident. A dam broke, a series of small resort towns touting fishing and water skiing grew, agricultural run-off became the main water source, and now, despite legislative bills pending for funding its revitalization, the sea is in ecological danger. It’s a terrible dust storm waiting to happen, and a town waiting to dissolve.

  • Courtney Barnett

    Courtney BarnettThe confessional collection is truly a peek inside Barnett's fascinating head, filled with many contradictory, and human, reactions to life's complications.

  • ARTISTS FOR TRAUMA

    ARTISTS FOR TRAUMA"Artists for Trauma is about focusing on the positivity, on the possibilities at a time when trauma victims are dealing with great emotion and physical stress. There is great opportunity for quality recovery from life-altering trauma," Sharpe explained.

  • GODFATHERS AND GODMOTHERS OF THE BRITISH BLUES

    GODFATHERS AND GODMOTHERS OF THE BRITISH BLUESIronically, this mimicked a bit of blues history in the United States, where the very first blues singing stars were all women, i.e., Bessie Smith (Ottilie’s first major singing influence), Ethel Waters, and Ma Rainey. In fact, “Crazy Blues” a 1920 hit sung by Mamie Smith, is considered by most blues historians to be the first blues song ever recorded by an African American.

  • We the people of the Iroquois Nation - the Haundenosaunee

    We the people of the Iroquois Nation - the HaundenosauneeThe Founding Fathers were highly influenced by the Five Nations Confederacy adopting much of the governance model. The successful Haundenosaunee way was widely known. Philosophers, dele­gates, and politicians all had attended councils or invited Chiefs to attend "White Men Meetings" to share their wisdom.